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Kerschbaumer and that she sold the three pictures during World War II. May 27, 1974, dates it to 1915 and calls it "Repast of the Hungry Ones" asserts that German artist Anton Kerschbaumer commissioned this work and two still lifes from Ensor during World War I identifies the seated figure at center as Goethe and one of the figures to the right as Kerschbaumer, "who is trying to impress on him the requirements of the situation " interprets the scene as an expression of Ensor's disdain for the Germans states that he interviewed Erich Heckel and Mrs. Letter to the Curator of Modern European Paintings, The Metropolitan Museum of Art. "Letter from U.S.A.: The Sports in the Arts." Apollo 88 (August 1968), p. (color), dates it to 1925 notes the similarity to Ensor's compositions of the 1890s: "The Judges," "The Bad Doctors," and "The Dangerous Cooks" identifies the standing figure at far right as a waiter and the figures in the left foreground as a starving mother and child interprets the scene as a "fantastic parable of human folly" notes the inclusion in the background of Ensor's painting "Skeletons Disputing a Herring" (1891) and two skeleton images, which she dates to 1903. 434, ill., as "Banquet of the Starved," about 1925. "James Ensor," June 28–September 21, 2009, unnumbered cat. "20th Century Masters from The Metropolitan Museum of Art, New York," May 7–July 1, 1986, unnumbered cat. "20th Century Masters from The Metropolitan Museum of Art, New York," March 1–April 27, 1986, unnumbered cat. 17, as "Le Repas des Maigres (The Meal of the Hungry)," 1915 or 1925). Grey Art Gallery and Study Center, New York University. "Images of Horror and Fantasy," November 15–December 30, 1977, unnumbered cat. "Rousseau, Redon, and Fantasy," May 30–September 8, 1968, unnumbered cat. "Summer Loan Exhibition: Paintings, Drawings, and Sculpture from Private Collections," July 8–September 6, 1966, no. brochure (as "The Banquet of the Starved," 1925, lent by Adelaide Milton de Groot, New York). "Van Gogh and Expressionism," July 1–September 13, 1964, unnum. de Groot, Loan deposit, Wadsworth Atheneum, Hartford). "Twentieth Century Painting from Three Cities: New York, New Haven, Hartford," October 19–December 4, 1955, no. 1925, lent by Miss Adelaide Milton de Groot, New York). "James Ensor," September 25–October 28, 1951, no. 40 (as "Gastmahl der Mageren," 1918, lent by a private collection, Berlin). "James Ensor," January 8–February 5, 1928, no.